There is a Rolling Stones song from 1973 which described tragedies involving crime and drugs which I thought was a very effective form of protest. Be they aware or not, they were following a noble tradition of artists giving voice to the oppressed and victimized. Over time those type of concerns might predictably give way to maintaining careers, parenthood, copyright infringement and rehab. But they could always look back on their ‘caring’ years with a palpable wistfulness. ‘Sure, I may have sold out over time,’ they implicitly tug at you to understand, ‘but there was a time….’
That was then. The entertainment industry today embraces the state. Somewhere between seeing their ideas and candidates win elections, the rants against injustice have given way to an aggressive advocacy for expanding the role of government. Seemingly no public policy failures–high rates of poverty, abortions, inner-city unemployment, single-parent families, failed public schools etc–are enough to question the effectiveness of relying on the state to address those problems.
I think it fair to say that the only world angry artists want to tear apart today is one which acknowledges Judeo-Christian values as key to a just society. In its place, a secular sense of fairness, undefined [naturally] and enforced by the federal government. The Leviathan with a friendly face [for now], who heroically does battle vs. those pesky spiritual subjects.
The tragedies of everyday life continue to be confronted those who have always done so, parents and people of faith through their personal involvement and religious institutions. The rest are posers because they have no skin in the game. To put the fate of the neediest in the hands of those whose care for them is based on a salary and patronage, is to encourage the status quo.
A proverb notes that time reveals a person’s heart. Almost 40 years later, when I hear the song ‘Doo Doo Doo Doo Doo (Heartbreaker),’ I am reminded of heartbreakers, but they ain’t cops.






